Page 18 - MARCELLO FANTONI
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Art and Life Journeys in the Memories of Marcello Fantoni



                      Today, that his commitment as an inexhaustible    beginning.
                                                                                                                     st
                  creator of forms has been fully recognized, Marcello      Marcello Fantoni was born in Florence in the 1 of
                  Fantoni contemplates and re-reads the whole of his    October, 1915, to Renato Fantoni and Beatrice Corsi
                  production, works, and testimony of an entire life    Bartolini, in an apartment on Via Benedetta, a tiny cross
                  dedicated to art. There are more than seventy years of  street of Via della Scala.The first of three children, he
                  vases, sculptures, medals, drawings and sketches: the  lived with his parents and his grandfather in a large
                  hands of Fantoni have modeled over the years hundreds  house that also housed five other families. His father, an
                  of creations, today gathered in the vast and silent rooms  insurance agent at the Riunione Adriatica di Sicurtà
                  of his home-atelier on Via Monterinaldi where he      agency, worked a second job to make ends meet typing
                  continues to work and teach with energy and           medical texts, at night after work, for the local
                  perseverance.                                         newspaper  “La Nazione”. His mother worked as a
                      From this by now tangible esteem, which the       furrier, a trade that she learned from one of her
                  critics and the public alike have declared, Fantoni may  husband’s aunts who was like a mother to her. Fantoni
                  look back serenely and retrace the stages of the life and  often remembers the hardships of those years and the
                  history of a man who, with an enterprising and        sacrifices that his parents made to raise their family:
                  intuitive spirit,from the moment he finished art school,  working late into the night, doing without, and the
                  embarked upon the path that would bring him, by       mortification that, above all, his mother suffered
                  means of his ceramics, into the collections of the    working - mainly - for the wealthy and titled
                  world’s most prestigious museums. Fantoni does this   Florentine ladies. He remembers a time, when still a
                  without hesitation, without false regrets, fully aware of  small boy, that he saw his mother discouraged and
                  his own worth, and at the same time, he is convinced  saddened after having been humiliated at work. He
                  that he is not yet at the end of his artistic journey nor  promised her that one day he would send a car and
                  life. Ideas and forms are still growing within him today,  driver to take her anywhere she would like to go, and
                  and even for an artist such as he who has received    that he would cover the bed with  “bank notes”.
                  among the most important acknowledgements, art        Fantoni assures us, with a slight smile, that, although at
                  continues to be intuition, fantasy, vision.           the time he was powerless in the face of their economic
                      What we propose here is to revisit, together with  situation, to which he certainly couldn’t have
                  the Master and the memories that he wishes to share   contributed, he did indeed fulfill his proud boyhood
                  with us, the fundamental stages of his life and to look  promise, as soon as he obtained a prosperous economic
                  into the depths of his story so as to understand what  position thanks to his work.
                  road brought him to these successes and what people       Nevertheless, he comments on those years with
                  spurred,loved,and helped him in his work.We propose,  great nostalgia: the serene family environment, the love
                  as well, a sort of participation in the suffering that  which bound his parents, and above all his mother’s
                  afflicted him during the years of the war, so as to share  strength. She was a tenacious and energetic woman
                  in his arduous and enduring artistic commitment       who used all of her abilities so that her children would
                  which was instrumental in the renewing of ceramic art  feel as little as possible  the weight of the hardships of
                  in the twentieth century. This will better help us enter  that time. This had a great influence on the
                  into the intimate sphere of his creative process and to  development of young Marcello’s personality. He
                  better see the relationship which exists between his  himself doesn’t hesitate to admit that what pushed him,
                  whimsical but authoritative character and his art, so  through the years, to continue in the face of inevitable
                  studied and intentional, which has always been aware of  difficulty was precisely his mother’s example: her
                  and interested in new languages while remaining, by its  untiring endeavor, moving step by step, to better her
                  very nature, separate form every identifiable artistic  family’s condition. Her desire to fully feel as mother of
                  trend. He has a personality,while completely distrustful  her family, in fact, motivated her to move with her
                  of any theory, which constantly renews its knowledge  husband and children to an apartment on  Via
                  using external stimuli that he then bends to suit what  Palazzuolo in the beginning of the 1920’s. Fantoni still
                  his inspiration demands. He is a man who lives in full  recalls his father’s hesitancy concerning such a move
                  awareness of his era, permeable to the cultural tensions  ( the fear was, above all, that the economic strain might
                  in the European debate, but who succeeded in placing  threaten the tranquility that they had arrived at after so
                  his own experience, in the complex Italian artistic   much effort) countered by his mother’s tenaciousness
                  panorama from the 1930’s to today, in a position      and courage  which finally persuaded his father.
                  definitely outside of all conventions, with results often  Although, she herself was unaware of the degree of
                  unpredictable and often not understood, at least at the  work that awaited her in exchange for the pleasure and








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